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A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

CREATURE FROM BLACK LAKE (1976)

Directed by Joy N. Houck, Jr.
Sterling Entertainment DVD

THE FILM
These days, men rarely embark on real life adventures. Even if they do, they probably have average names like Jeff, Pat, or Larry. Ho hum.

Creature From Black Lake presents two guys named Pahoo and Reeves as they investigate a testy Sasquatch, deep in the thick of Oil City, Louisiana. See that? Cool names, tough adventures. After only one sentence, this film is a powerful kick in the nuts to any semblance of real life. You almost don’t even need to see it! But really, you should.

Before the wave of 1970s Bigfoot films deteriorated into second-hand blanks (all fingers point to Boggy Creek II), you could set your watch by the spooky mysticism that propelled each movie. Creature From Black Lake, a Louisiana lensed jewel from director Joy N. Houck Jr. (Night Of Bloody Horror), is a shining example. Houck and writer-producer Jim McCullough (Mountaintop Motel Massacre, Video Murders) introduce a 'Squatch that is not our friend. Nope, this violent B.F. is all business. He'd just as soon overturn your car as throw your pet puppy across the farm. That's good news for us. He even looks ominous; no gorilla suit here! Even better, the quirky drama that surrounds the Black Laked One gets more entertaining with each passing minute. Fried chicken phobia? 'Nam metaphors? An unearthly Yeti screech? Solid.

Pahoo and Reeves are students from the University Of Chicago. Pahoo looks really old and Reeves is a shifty-eyed wild card. Equipped with a white Chevy van and a curious obsession with hamburgers, the guys embark on a Bigfoot research project in Oil City, Louisiana. Once there, they meet a variety of good ol' boy detractors. There's jolly Sheriff Billy Carter (Larry Buchanan vet Bill Thurman), scarred Bigfoot victim Orville (writer Jim McCullough), and drunken mess Joe Cantan (the prolific Jack Elam), who's like an adult Pig Pen from Peanuts. After several violent creature attacks, flashbacks, and near sexy time with a couple of ladies, Pahoo and Reeves find themselves trapped in the swamp at midnight. The creature makes like Lou Ferrigno and things get serious. Very appropros.

Creature From Black Lake is a non-documentary styled Bigfoot film that actually works. Rare, but true. Filled with cartoonish characters, a bubbling score from Jaime Mendoza Nava (The Legend Of Boggy Creek, Orgy Of The Dead), and generous amounts of goopy atmosphere, the scum of the earth seeps through every frame. More importantly, the film sets out to embellish the Bigfoot mythos with dark overtones, wisely avoiding clear chances for dopey comic relief (i.e. any scene with Jack Elam). Shreveport, Bossier City, and Oil City, Louisiana should be forever proud; it’s not every day your city gets to host the filming of a Bigfoot classic.

AUDIO AND VIDEO
The letterboxed print is really rough, but fitting. Faded, riddled with dirt and vertical lines, and not so clear. I liked it. Imperfection only adds to the backwoods whiff; the Black Lake setting wouldn't feel the same without it. Compression artifacting was barely there during darker scenes. The mono sound was loud. The opening and closing credits are a little stretched. That's all I've got for you.

EXTRAS
Just three worthless production notes ("Creature From Black Lake was filmed on location in Louisiana") and brief bios for Jack Elam and Dub Taylor, who plays Orville's grandfather.

FINAL THOUGHTS
Creature From Black Lake is an essential Bigfoot film, a perfect mix of harmless fun and surprising shocks. Long out of print, the obscure budget-esque 2002 DVD release from Sterling is tough to find. Keep an eye out or wait until a new release comes along, especially if you've got a 'Saquatchy sweet tooth.

— Joseph A. Ziemba, 12.01.05






Pahoo and Reeves


Close encounter


On the wagon


Trust me, he looks good