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A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

THE NIGHT OF THE CAT (1973)

Directed by Jim Cinque
Something Weird DVD-R
Buy it from Something Weird!

THE FILM
The apex of this film is not the scene in which a sweaty, 300 pound man falls down a flight of stairs. Incredible, but true!

"What do you think this is, some kind of strawberry festival?!"

I have no idea what a "strawberry festival" is, what it alludes to, or what its implications may hold. But, I know a thing or two about fat guy jokes. The Night Of The Cat, on the other hand, is familiar with both. That is the level of omniscience we are dealing with.

The film grain. The blank living rooms. The motel lounge combo soundtrack. The over-enunciation. The Night Of The Cat is, more than anything, the most ripened of peaches in the Eden of regional rarities. Shot in South Carolina by one-time director Jim Cinque, the film knows exactly what it’s saying, yet at the same time, knows nothing of what it’s saying. Hilarious? Moody? Suggestive? Bizarre? Naturally. You see, Cat admires the solemn desolation of Axe, but realizes that those resources are untouchable. So what’s left? A female vigilante in a black bodysuit, an ill-tempered Chico Marx/Mel Brooks gangster, and some big, naked stripper boobies. I can respect that.

Hear Bev roar. When Bev’s police-mole sister is run over by evil pimp Mr. Demmins, the stuff hits the fan. Revenge! The Cat is born! Maybe. After two karate lessons, a few sit-ups, and some ballerina posturing, Bev dons a black wig and mod suit. Then, she just kind of shows up at someone’s house. And gets punched in the face. By Doug. Yes! It's Doug, the fat guy! There he is! Doug wears rayon golf shirts, sweats way too much, and kills people. He works for Mr. Demmins, who popularizes the stuff about strawberry festivals. Then, the inevitable: People repeatedly walk into unlit rooms. The Cat is tied to a bed while a group of gangsters slice off her suit with a knife for fifteen minutes. Chico/Mel throws a shit-fit over his interior decoration (with good reason). The Cat engages in “fight scenes” which inspire a new sense of hope about this world. And, of course, Doug falls down the stairs. I watched that part twice.

Another Son Of Sam is not a universally accepted surrealist classic, but I could watch it fifteen times in a row, then wake up the next day and watch it again. The Night Of The Cat follows suit, but ups the ante with a little of Crypt Of Dark Secrets’s comedic poise. Sure, downtime is a given. But Cat jams its 75 minutes with gall and determination, even if it doesn’t know why. That’s what I like to see. Random, meaningless inserts. Faulty-yet-cool compositions. Unexplained jumps in logic. Lots of sweet karate chops. Plus, everything else. You really can’t go wrong.

I felt a tinge of guilt for making light of Doug's karate-chop induced staircase accident. So, I watched that scene a third time. Nope. Still awesome.

AUDIO AND VIDEO
The Night Of The Cat is a clear 'n' scratchy 1970s wonder. Think Don't Look In The Basement. Colors are faded. Texture is thick. Sound is hissed. Plus, we get an unexpected boost; red, orange, and blue color swatches pulse with psychedelic glee at random during the first half of the film. When they eventually faded, my heart grew heavy.

EXTRAS
Hop on the titty-bus! Something Weird fills up the DVD-R with four nudie shorts -- "A Wild Night At The Interlude" (15 minutes), "Strange Sex Dreams" (5 minutes), "Nudes & Nuts" (10 minutes), and "Naked Party" (5 minutes of vintage Mahonization). Hop off the titty-bus!

FINAL THOUGHTS
Behold the power of a woman scorned. The Night Of The Cat is a regional champeen; down ‘n’ dirty, surrealistic, and a big mess of odd people and ridiculous situations. It’ll get you through the night. Now, go forth, eat strawberries, and be happy. Doug would want it that way.

— Joseph A. Ziemba, 07.19.07






Bev Belt


Cat Power


My favorite basement


Oh, Doug