SANTA CLAUS (1959)
Directed by Rene Cardona/K. Gordon Murray
Brentwood DVD
Reviewed 12.22.04
Review by Joseph A. Ziemba


THE FILM
Rene Cardona, Adolfo Torres Portillo and probably K. Gordon Murray. Three guys that I’d gladly extend a hearty handshake to. Maybe even a pat on the back. See, they’re the minds that infused a cheap 50s kid movie about Christmas with dialogue like this: “There’s a prowler out there -- he’s come to kill your wife. And your children. He’s going to murder you!” Who’s speaking? Why it’s Pitch, the leotard-clad Satan!

If you’re not approaching (or currently hitting) middle age, then chances are slim that you’ve had a moment to, ahem, experience this motion picture. Fondly remembered by many-a baby boomer, Santa Claus was all but lost to the ogres of rights issues and bootleg obscurity for years. Until now. Like some magical gift from far away lands, this deranged Mexican hodge-podge hits the ‘04 season via the conjury of budget DVD companies. I mean really budget; as in the $1 to $3 range. This new emergence even includes a once lost prologue, pushing the slackjawed runtime into a full 95 minutes. I’m not sure how it happened, but then again, I don’t really care. I’m just glad it’s here. As for how well Kris K. delivered, I’m leaning more towards “Ho ho” than “No no,” just based on insanity alone.

Santa lives above the North Pole, way up in the clouds. He’s traded in the elves for children representatives from every major country (?!) and spends most of his time unleashing a scary, dual-tracked laugh. Inside the impressive Christmas hideaway, Santa and the kids spy on the world’s children with computer equipment that escaped from H.G. Lewis’ How To Make A Doll. Not familiar with that one? Think of silver spray-painted cardboard mixed with foam lips and some thrift store radios. Pretty amazing. Concurrently, Lucifer himself raises Pitch The Devil from the fires of hell, commanding a single order: stop Santa Claus at all costs. As Santa gears up for Christmas eve, he takes a stroll to Merlin the Magician’s workshop, stocking up on sleep dust, an electric door opener, and a flower that makes you disappear when you sniff it. Commandeering his completely hilarious robotic reindeer, Saint Nick takes to the skies, ready to deliver the goods. But Pitch has other plans. What unfolds is a fabulously bad moral about the true meaning of Christmas (rich kids = set for life), some guns, a marvelous truth coctail, and a slight mention of Jesus. ‘Tis the season, of course.

So that’s just the plot. So far, I’ve made no mention of how visually frightening this film appears, or the increasingly boring repetitiveness that seems to permeate every other scene. Do we really need to see Merlin hop across the room one more time? Is it important for the viewing audience to suffer through Santa’s entire rope climb down a chimney every time he stops at a house? Probably not. Thankfully, it’s easier to ignore the obvious editing faux-pas in favor of the homicidal ramblings of Pitch and the genuinely scary demeaner of Santa himself. Horribly dubbed (I mean, awesomely dubbed), the behemoth Man In Red laugh-yells at every chance he gets; curiously forcing his presence to terrify far more than Pitch on his best day. How did they get away with this?

As you materialize from a dream-like state, just remember one thing. This is a children’s film. Kick The Lemon Drop Kid to the curb and force the kiddies to digest Santa Claus. Their therapists will gladly thank you.

AUDIO AND VIDEO
Taking into account the rarity and nearly non-existent retail price, this is one great looking print. While the expected scratches and blips make cameo appearances throughout, the picture itself remains clear and crisp. The colors are nicely undersaturated and whisper perfect 50s vintage, despite the occasional compression emergence. The mono sound was loud and clear. Overall, well above what you’d expect in return for a couple of bucks.

EXTRAS
Pour another glass of egg nog. Now that’s an extra.

FINAL THOUGHTS
I laughed, I howled, I sat hypnotized. Looking past the repetitively boring sequences, there’s no way you’re ever going to find another film quite like Santa Claus. Anywhere. Not in a million years. I hereby proclaim this seasonal nightmare required feel-good viewing once a year, every year. Just don’t show it to any little kids.






Santa (& orchestra)


Coordinate the coordinates


Merlin's trix


Our pal Pitch