Bleeding Skull Bleeding Skull
Bleeding Skull Bleeding Skull
A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

SASQUATCH HORROR TRIPLE FEATURE:
SASQUATCH: THE LEGEND OF BIGFOOT (1977)
SNOWBEAST (1977)
THE SNOW CREATURE (1954)

Directed by Ed Ragozzino/Herb Wallerstein/W. Lee Wilder
Retromedia DVD

THE FILMS
I’ve seen it coming for awhile, but now there’s full-on proof. The social climate of bad film entertainment has been mutated, reaching goliath heights that were previously impossible to fathom. A DVD has hit the streets, hawking a triple feature of Bigfoot films. Blink and rub your eyes; A TRIPLE FEATURE OF BIGFOOT FILMS.

Fantastic, right? Just the notion of that novelty is enough to send Sasquatch-film devotees into a blissful tizzy. Myself included. Now we get to the touchy part: the films themselves. Offering up a total rarity (Sasquatch: The Legend Of Bigfoot) and two previously issued public domain semi-snoozers (Snowbeast, The Snow Creature), this release poses a curious question for the already initiated. To buy or not to buy? Will Sasquatch hold its own, especially to those that already own the other two films? Grab your pick axe, tennis-racket snow shoes, and "computerized research gear"; we're going to find out together.

Juggling a travelogue episode of The Wide World Of Disney, old fashioned spooks, and some really bad wigs, Sasquatch: The Legend Of Bigfoot has finally surfaced after years of deep-woods obscurity. First up: Narration! Yeti newspaper clippings! Computers! The Patterson film! Soon enough, the set up fades and we get to the basic plot of this mockumentary. Several trailblazers pack up their belongings and retreat to the Canadian wilderness on a five month tour, searching for proof that might finally confirm Bigfoot's existence. The first hour will test your dexterity, despite some stunning nature photography and impressive physical strain on the cast. The last twenty minutes builds on the suspense, as the group finally catches up with a tribe of Yeti (fat guys in gorilla suits). Inbetween, there's a couple of flashback Bigfoot encounters, a bobcat attack with an unpleasant outcome, and a grizzly bear street fight. At one point the narrator emotes, "The going was slow and tough." He wasn't kidding.

A huge hit during its initial late 70s release, this central Oregon-lensed indie has built up a solid reputation over the last 20+ years, mostly thanks to fond memories of childhood shrieks. Seeing it fresh for the first time, the glass seems to be half full. The Legend Of Boggy Creek this ain't. Despite an out-of-this-world concept (think Blair Witch meets The Hardy Boys), first time director Ed Ragozzino stretches the pace way too thin, making for a surefire case of the bores. The mock-reality of the situations were fun and the scenery was enveloping, but there was a little too much of both. Not enough of what really counts in a low budget picture with “Sasquatch” in the title: namely, Bigfoot mirth. Most of the unknown acting was painfully bad (re: the comic relief bumpkin cook); not in a humorous way, but in a stop-trying-so-hard way. The music tumbled between generic 70s soft rock (bad) and misty organ blips (excellent). Do you see what I’m getting at? Elements were in place for an all-out classic, but there was too much baggage dragging it all down. It’s a shame too; Bigfoot’s murderous ways, the highly atmospheric ending, the styrofoam boulders, the hilarious final shot...ah well.

Take to the slopes. It’s time for Rill’s Winter Carnival, “a day and night’s orgy of fun and games!” Snowbeast is underway. A snowy vacation resort is in the midst of their annual moneymaker when a homicidal Yeti starts pulling the faces off of young ski-bunnies. The resort owners, gravel-voiced Mrs. Rill (Sylvia Sidney, Juno from Beetlejuice!) and her son Tony, attempt to keep the murders hush-hush so they can rake in the dough. Cue washed up ski celebrity (say what?) Gar Seburg and wife Ellen, looking to get Gar’s life on track amidst marital turmoil and cliche-ridden soul searching. The attacks get more bloody and intense, as Mr. Yeti crashes a school pageant and sets the authorities on the hunt. It’s up to Tony, Gar, Ellen, and Sheriff Paraday to climb the peaks and take out the white-haired beast, NO MATTER THE COST!

If you’re in the mood, Snowbeast isn’t half bad. It’s a typical 70s TV movie, featuring decades of padding (on the skis, on the snow mobile), adequate directing from TV-vet Herb Wallerstein (Star Trek, The Brady Bunch), and a shimmery roller-skate soundtrack. On the upside, this particular Bigfooted one is quite perturbed, wrenching faces, eating people, and taking names like some kind of wacked fur-Hercules. As a result, the film's exciting moments are well worth a look, even though you've got to sit through lots of soap opera theatrics (“I’ve been having fantasies about you for a year...”) to get there. As for the 'squatch costume? We don't get to see much of him (a hand, a foot, brief full body), but the rubbery sheep dog look is absolutely fantastic in my book. Add about $20 to the Shriek Of The Mutilated get-up and you're halfway there. All in all, no great shakes, but a nice diversion when there's nothing else to do.

If the top two-thirds of this bill were teetering on the ledge of average, then The Snow Creature takes the plunge. For a full review of this one, you can check out my take on Alpha’s DVD here. It’s been six months since my last viewing, so I decided to take another shot. Thank goodness for quadruple-time fast forward; repeat viewings are not becoming of this motion picture.

Welcome back to civilization. The intent of this triple threat is welcomed with open arms. Unfortunately, it’s not quite what I expected. Your satisfaction will depend on your patience level and your devotion to our friend, the Yeti.

AUDIO AND VIDEO
Here’s what you’re really curious about, eh? Sasquatch is presented in a pleasant widescreen print, showing off some nice wishy-washy 70s color and a top notch mono soundtrack. The print itself is in excellent shape, light on damage, save for a green emulsion line or two. Unfortunately, compression artifacting is evident during darker scenes of the film, a problem which plagued earlier Retromedia releases, but had gone M.I.A. in recent months. It’s not too bad, but the pixels were slightly distracting, especially given the age of DVD technology at this point. Nice print though.

Since both Snowbeast and Snow Creature have been released numerous times on DVD over the past few years, the presentation on this release might make it or break it for most people. I’ve viewed both films on different releases (Snowbeast from Brentwood’s “Vault Of Horror” set, Snow Creature from Alpha), so here’s the scoop: Snowbeast looks a little nicer than its previous budget appearances, with less compression and a very crisp picture. The full frame print isn’t devoid of spicks ‘n’ specks, but it’s in better shape than before. The Snow Creature looks very similar to Alpha’s release (slightly dupey, ghosting, a little compression). In fact, I had a hard time telling the difference between them. The print is still in rough shape cosmetically, but you can’t expect gold from public domain curios. Retromedia provides a disclaimer regarding the cobbled together print quality before the film begins.

EXTRAS
Flipperville: side A contains Sasquatch, while side B features the other two films. Chapter stops, but no chapter stop menus, and swell sound effects make appearances on both.

FINAL THOUGHTS
Obviously, Bigfoot film addicts will want to pick up this disc, if only to proudly display the almost-classic Sasquatch on the shelf. Everybody else will get by with a rental. Or not. The other two films are pretty inconsequential, so don’t get your hopes up.

— Joseph A. Ziemba, 06.14.05






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