Bleeding Skull Bleeding Skull
Bleeding Skull Bleeding Skull
A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

GHOST STORIES: GRAVEYARD THRILLER (1986)

Directed By Lynn Silver
Vestron Video VHS

THE FILM
Seriously. What in the Geezus H. Christ HELL was Vestron thinking?

Anthology films always follow a strict template. Host/introduction, story, repeat, repeat, repeat, fin. It’s pretty difficult to screw that up, even if you’re David L. Hewitt. Well, thanks to mastermind Lynn Silver (who would go on to do...nothing), '86 was graced with Ghost Stories: Graveyard Thriller, a shot on video (SOV) anthology film that forgets to anthologize. Instead of a host introducing five segments, we have a host that introduces four people who ACT OUT THE STORIES ON THEIR OWN. Rather than providing viewers with the stimulation of an actual production, this film features creative “story telling” courtesy sub-junior high drama club enthusiasts. Genius! Maximum entertainment for home viewing audiences! They mug to the camera as if Guffman was in the audience. They dodge the fog machine haze with much hardship. They relay stories that weren't up to snuff for Friday The 13th: The Series. They stare at an occasional prop. What have I done to deserve this?

The camera swoops out on a stuffed owl as a Hallmark Halloween soundtrack bumps. Welcome to the Tuesday Hill Boneyard. Our host is clad in a white southern suit. After talking for a few minutes, he introduces our first speaker. I kept waiting for a cheap dissolve, segueing into the actual movie...waiting...still talking...the story makes no sense...the guy walks around a little...still talking...fast forward...think about eating ice cream later...fast forward...host returns. At that point, I figured it out. Ghost Stories would be 60 minutes of concentrated torture. And it was. The videography was point and shoot, ocasionally backing up to follow an actor as they gave it their all. The host tells a werewolf yarn. A zombie shows up at the end. I ejected the tape and placed it back in its box. Moving very slowly, I placed the box behind the refrigerator. If I try hard enough, it might make itself disappear.

I can sympathize with anyone trying to fulfill their dreams; I'm sure the creative minds behind Ghost Stories had nothing but the best of intentions. Still, the rationale behind this SOV obscurity truly boggles the mind. What kind of audience were they aiming for? In 1986, did people look to escape the confines of everyday life by watching a camcorder tape of adults with basement Shakspeare chops pining away? Hilarious, disturbing, and all together depressing.

The back of the box says: "Keep repeating, it's only a VIDEO...it's only a VIDEO...it's only a VIDEO..." But it's not only a video. It's a lobotomizer.

AUDIO AND VIDEO
Do you actually care if I write anything here? Good, I was worried for a minute.

EXTRAS
Further proof that the Vestron brass were mainlining crack whilst in the throes of contract negotiations for this package. Not only did they release this tape, but they flashed a logo montage twice. TWICE!

FINAL THOUGHTS
Hands down, the most excrutiating trash video experience I've ever had; please don't ever watch this. If you’re in an old video store and spot a copy of Ghost Stories: Graveyard Thriller on the shelf, please destroy it as quickly as possible. We all have to do our part.

— Joseph A. Ziemba, 08.25.05






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