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A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

THE PREY (1984)

Directed by Edwin S. Brown
HBO Home Video VHS

THE FILM
A stockbroker once gave his clients the following piece of advice: "The Prey. Invest. Trust me. Horror flicks. Hot stuff with the kids. Sit back and watch the money roll right in." He then lit a cigar with another tenner, sat back, and marveled at the genius of it all. Two years later, his "Where's The Beef?" visor entertained many lunchtime customers as they attempted to answer that eternal question: Double Stack or deluxe Double Stack?

The Prey is both hilarious and quaint in its disheveled simplicity. The only horror outing from porno director Edwin Brown, the film takes the essence of the wooded slasher, rips things down to the bare essentials, and injects a filling dose of absurdity. Four campers, two forest rangers, and a cavalcade of nature's beasts frolic to the thumping heart of a forest-fire-burned, mutated killer. It's just that easy. There's no motive for anything and I only caught two of the characters' names (Greg and Skip, FYI). So take to the vagina shaped waterfall, 'cause electric boredom awaits!

In 1948, there was a large forest fire at North Point Woods. Welcome to the 80s. A couple of old farts eat beans and comment on how good they taste. Axe. Dead! From there, four twenty-somethings enter the wilderness and meet a forest ranger (hey, it's Jackson Bostwick; Shazam!). He performs children's limericks for deers and rips it up on the Banjo. Mr. Ranger also has a doting partner in Jackie Coogan (Uncle Fester from The Addams Family) and they interrupt investigations to discuss cucumber sandwiches. Meanwhile, many beautiful creatures, fresh from the hand of Mother Nature, receive more screentime than our leads. Once in awhile, a freakish killer turns up to dish out some major gore and gaze at a few almost-bare boobies. At the climax, the cute final girl realizes her true calling as a modern woman of the 80s. Baby, let's make babies. Life is beautiful.

Intentioned as a serious slasher, The Prey ends up a miserable failure; a padded mess of loose tangents and wasted atmosphere. Now flip the coin. With the right mindset, the simplistic qualities, generic environment, and twisty ending turn the film into a living urban legend. Now that's fun. Forget the intrusive edits. Ignore the baffling one sentence declarations from cast members (A girl asks, "Sure you won't change your mind?" after five minutes of sitting around, doing nothing). Although the film is mostly incompetent, there's a charm at work that's impossible to fully ignore. So don't cold-shoulder it, huh?

AUDIO AND VIDEO
During the first five minutes, there was a fuzzy line running across the top half of the screen. Then another one showed up for a few seconds. I was prepared for a tape splice. Soon after, it was smooth sailing; the print was bright and filled with pleasant colors. Again, life is beautiful.

EXTRAS
This is bullcrap. C'mon HBO, where's the Waitress! trailer?

FINAL THOUGHTS
Despite some obvious problems, The Prey has the comforting wooded slasher schtick down pat. Ultimate enjoyment will depend on your ability to forgive and forget. I never could hold a grudge.

— Joseph A. Ziemba, 10.21.05






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