Bleeding Skull Bleeding Skull
Bleeding Skull Bleeding Skull
A continuing exploration of the curious and obscure in vintage cinema.
A continuing exploration of the curious and obscure in vintage cinema.

TERROR ON TOUR (1980)

Directed by Don Edmonds
Media Home Entertainment VHS

THE FILM
Terror On Tour just finished up. I think I have an STD.

When you’re on tour, bags of cocaine and naked ta-tas are as common as autographed guitar picks. Trust me. Or, if you’d like a pro’s point of view, check in with The Clowns. Made up of real life band The Names (Rick Styles, Chip Greenman, Rich Pemberton, Dave Galuzzo; best names on earth!), the exploits of The Clowns are well documented in Terror On Tour. Even if they’re not actually on tour. But who cares? When you’ve got a scummy exploration of dumb people reciting their lines badly, there’s not much room for complaint. Now then, make sure you repeat that chorus SEVEN times, not six, and we can get down and dirty.

They are The Clowns. Accompanied by greasepaint, thick Chicago accents, and on-stage gore theatrics, the band is finally “making it” after years of “paying our dues.” They sound like Cheap Trick covering Cheech & Chong’s “Earache My Eye.” The groupies love ‘em (“Y’know, I think you’re better than The Beatles or The Kiss!”), the promoters dont get ‘em, and the hipsters party with ‘em. Even Johnn [sic] Wintergate and Kalassu from Boarding House show up for a backstage food fight. Now that’s the big time. Amidst all the coke and bodily fluids, someone dressed in The Clowns’ regalia is picking off nude groupies after each show (all of which take place at the same venue). Two drunk cops are on the case. Have one of The Clowns taken it too far? Is the roly-poly roadie REALLY just putting on the make up to get laid? Snort it up.

Contrary to the excess on hand, Terror On Tour is only partly a romp in hilarity. Coming from director Don Edmonds, who helmed a couple of the mid 70s Ilsa films, that’s not surprising. The film wallows in grimy, disconnected cheapness, without ever being too explicit. As for the plot...there isn’t one. Filthy locations set the scene for sweaty sex, everyone talks with awkward pauses, and the whole thing feels like it was staged at the end of an authentic weekend ‘lude binge. Cold synth blasts included. That’s about all there is to it. At the same time, the idea of a film like this existing fascinates to no end. Someone in 1980 actually preserved their cracked take on the current state of rock ‘n’ roll, then infused it with a little slasher chutzpah to make a buck. Terror On Tour is downbeat and moronic, but that doesn’t mean you won’t enjoy every minute of "loose women, drugs, booze; you know, The Scene."

For the ultimate in depressing laffs, throw on Penelope Spherris’s The Decline Of Western Civilization Part II: The Metal Years after making it through this film. Now there's an experience that will touch you.

AUDIO AND VIDEO
All would be well on this end, if I could actually see what was going on once in awhile. Except for the speaker crackle. The Clowns also go to eleven.

EXTRAS
I guess we’ll have to wait until The Names release a 25th anniversary CD of the Terror On Tour soundtrack. Dudes, the clock is ticking.

FINAL THOUGHTS
After returning from a check up, I found out that it’s safe to watch Terror On Tour without a fear of catching anything nasty. There’s nothing stopping you now.

— Joseph A. Ziemba, 10.13.05






The boys are back in town


Silly, coke will get you everywhere


Grrr, vengeance!


Yes, you rule